quote:

Originally posted by EgoTrip:
I found this site that has a lot of great music on it. On the right you can sift through the different month's posts.

Checkity check it.

That was good. I'll be unzipping all day. Thanks to the You to the Very fucking Much.

quote:

Originally posted by Mooneyham jr.:

quote:

Originally posted by EgoTrip:
I found this site that has a lot of great music on it. On the right you can sift through the different month's posts.

Checkity check it.

That was good. I'll be unzipping all day. Thanks to the You to the Very fucking Much.

Yeah, I hit a gold mine with that site! you are welcome!

For those wanting to relive their baggy shoegazing days: Madchester Rave On

Tindersticks: The Hungry Saw (2008)

If you were of the opinion that Tindersticks may have gone through some kind of drastic sea change brought on by their five-year hiatus and the absence of founding member and co- architect of their trademark sound, Dickon Hinchliffe, you are dead wrong. The band weathered the storm and on their seventh studio album, The Hungry Saw, the three remaining members of the band retain every last aspect of what made the band special (the inventive arrangements, the cinematic sweep of the songs, Stuart Staples' distinctive vocals) but also manage to sound rejuvenated and fresh at the same time. The last album they made before their split, Waiting for the Moon, seemed like it was just another in a long line of excellent releases by the band. The Hungry Saw is hungrier, more dramatic, and if not exactly urgent, it feels like the work of a band with something to prove. Staples, in particular, brings something extra to both his vocals (clearer than usual and with more bite) and lyrics ("The Hungry Saw" has some of his most powerfully visceral words to date). It is one of his best performances in a long career full of them. The arrangements too are given extra care. The horn arrangements by longtime associate Terry Edwards are superb and the strings sound rich and suitably dramatic on the heavy ballads and breezy on the light ones. The addition of Suzanne Osborne's wordless backing vocals on the lovely and harrowing "All the Love" are a welcome touch of sunshine too. As is the candy sweet melody and acoustic strum of the almost poppy "Boobar Come Back to Me." Not that the record is a smile fest by any stretch, there is still enough chill blowing through it to make your teeth hurt. It wouldn't be a Tindersticks record without that, and songs like "The Other Side of This World" and "Mother Dear" have enough sadness coursing through them to satisfy the needs of any gloom junky who has come to count on the band for a quick fix. Indeed, Tindersticks have never failed to satisfy anyone looking not only for sadness but also those looking for albums that make you feel and songs that will stick with you for a long time. The Hungry Saw is classic Tindersticks.


cheechfewttp://www.mediafire.com/?dwmzmmgjnq4

I'm gonna hit that shit like it owes me money.

dude. i know you'll appreciate it.

Tobin Sprout: Carnival Boy (1996)

It's not all that surprising that Tobin Sprout's solo debut, Carnival Boy, sounds remarkably similar to Guided By Voices. Sprout was as responsible for GBV's lo-fi, jangly art-rock as Robert Pollard, helping push his partner toward the group's distinctive sound. Like Under the Bushes, Under the Stars, the GBV album that was released six months prior to Sprout's album, Carnival Boy has a brighter sound than the band's early records, due to slightly more sophisticated recording equipment and a more unified sense of purpose.


hoop://www.mediafire.com/?zzmnt0ziyin

quote:

Originally posted by puke + cry:
Tindersticks: The Hungry Saw (2008)

If you were of the opinion that Tindersticks may have gone through some kind of drastic sea change brought on by their five-year hiatus and the absence of founding member and co- architect of their trademark sound, Dickon Hinchliffe, you are dead wrong. The band weathered the storm and on their seventh studio album, The Hungry Saw, the three remaining members of the band retain every last aspect of what made the band special (the inventive arrangements, the cinematic sweep of the songs, Stuart Staples' distinctive vocals) but also manage to sound rejuvenated and fresh at the same time. The last album they made before their split, Waiting for the Moon, seemed like it was just another in a long line of excellent releases by the band. The Hungry Saw is hungrier, more dramatic, and if not exactly urgent, it feels like the work of a band with something to prove. Staples, in particular, brings something extra to both his vocals (clearer than usual and with more bite) and lyrics ("The Hungry Saw" has some of his most powerfully visceral words to date). It is one of his best performances in a long career full of them. The arrangements too are given extra care. The horn arrangements by longtime associate Terry Edwards are superb and the strings sound rich and suitably dramatic on the heavy ballads and breezy on the light ones. The addition of Suzanne Osborne's wordless backing vocals on the lovely and harrowing "All the Love" are a welcome touch of sunshine too. As is the candy sweet melody and acoustic strum of the almost poppy "Boobar Come Back to Me." Not that the record is a smile fest by any stretch, there is still enough chill blowing through it to make your teeth hurt. It wouldn't be a Tindersticks record without that, and songs like "The Other Side of This World" and "Mother Dear" have enough sadness coursing through them to satisfy the needs of any gloom junky who has come to count on the band for a quick fix. Indeed, Tindersticks have never failed to satisfy anyone looking not only for sadness but also those looking for albums that make you feel and songs that will stick with you for a long time. The Hungry Saw is classic Tindersticks.


cheechfewttp://www.mediafire.com/?dwmzmmgjnq4

I concur with the review. Everyone should own all things Tindersticks. Nick would approve.

quote:

Originally posted by Scawt:

quote:

Originally posted by Bonky!:
For Scawt, Gena and other fans of obscure 60s psychedelia, there are some really good songs on this compilation:

A Walk in Alice's Garden - 32 Rare 60's Psych Tunes

01 - BBC Radiophonic Workshop - Dr Who
02 - The Explosive - Miss Alice's Garden
03 - Wonderland - Moscow
04 - Svensk - Dream Machine
05 - Kenny Everitt - Nice Time
06 - Warm Sounds - Birds & Bees
07 - Skip Bifferty - Cover Girl
08 - Andy Kim - Rainbow Ride
09 - Rhubarb Rhubarb - Rainmaker
10 - Elmar Gantry's Velvet Opera - Salisbury Plain
11 - Andy Kim - Ressurection
12 - Svensk - Getting Old
13 - Rhubarb Rhubarb - Money Lender
14 - Kenny Everitt - Another Little Train No
15 - Plastic Penny - Genevieve
16 - Wonderland - Poochy
17 - The Explosive - Cities Make The Country Cold
18 - Everybody - Do Like The Children Do
19 - The Capes Of Good Hope - Winter's Children
20 - The Explosive - Step Out Of Line
21 - The Explosive - I Get My Kicks From Living
22 - Herman's Hermits - Marcel
23 - The Rainy Daze - In My Mind Lives A Forest
24 - Ola - That's Why I Cry
25 - Everybody - The Shape Of Things To Come
26 - New York Public Library - Got To Get Away
27 - The Garden Of Eden - Got To Get Away
28 - Ola - What A Way To Die
29 - The Hobbits - Everything's Turning Out Fine
30 - The Neat Change - I Lied To Aunty May
31 - Consortium - All The Love In The world
32 - Julie Driscoll - Road To Cairo

hxxp://www.sendspace.com/file/fq28cp

Goldmine! Thanks Bonky!

I know most of the bands on there!
Oh my God, I am a freak!

Pale Saints ~ Flesh Balloon EP

Everyone needs a copy of Kinky Love!

hxxp://www.sendspace.com/file/j4lfry

1. Hunted
2. Porpoise
3. Kinky Love
4. Hair Shoes (demo)

get it, freaks. the man tells no lies.

Before Mercury Rev started sucking....

Yerself Is Steam

hxxp://www.sendspace.com/file/1a2dyv

1. Chasing a Bee
2. Syringe Mouth
3. Coney Island Cyclone
4. Blue and Black
5. Sweet Oddysee of a Cancer Cell T' Th' Center of Yer Heart
6. Frittering
7. Continuous Trucks and Thunder Under a Mother's Smile
8. Very Sleepy Rivers
99. Car Wash Hair (not included on early UK editions)


Lego My Ego EP

hxxp://www.sendspace.com/file/01criv

1. If You Want Me To Stay
2. Shh/Peaceful/Very Sleep Rivers (Live in London '92)
3. Frittering (Peel Session)
4. Coney Island Cyclone (Peel Session)
5. Car Wash Hair
6. Syringe Mouth (Peel Session)
7. Blood On The Moon (Theme from Moonbuggy)
8. Chasing a Girl (Inside a Car) (Peel Session)


all covers and CD scans included....COME BACK TO US DAVID BAKER!!!!

.....and some Boces to rock your pussy.

hxxp://megadownload.net/download/mu/a8v9s0mb/boces.rar

For Scawt et al, some good jazz musics.

The Bad Plus - Suspicious Activity - hxxp://www.mediafire.com/?lw1nonngnxu

Dave Brubeck Quartet - Time Out - hxxp://www.mediafire.com/?tzdjzyrmm2v

Miles Davis Quintet - Relaxin' - hxxp://www.mediafire.com/download.php?xddzmznogrj

quote:

Originally posted by JohnApricot:

Miles Davis Quintet - Relaxin' - hxxp://www.mediafire.com/download.php?xddzmznogrj

No Kind of Blue or Sketches of Spain? Best back to back jazz releases of all time.

thanks for uploading all that good stuff, mooney.

For Bear (et al.)

Bryan Ferry ~ Let's Stick Together

hxxp://www.sendspace.com/file/z1883x

LET'S STICK TOGETHER (Harrison) 3:00
CASANOVA (Bryan Ferry) 2:45
SEA BREEZES (Bryan Ferry) 6:10
SHAME, SHAME, SHAME (Reed) 3:15
2 HB (Bryan Ferry) 3:50
THE PRICE OF LOVE (Don & Phil Everly) 3:25
CHANCE MEETING (Bryan Ferry) 3:35
IT'S ONLY LOVE (John Lennon/Paul McCartney) 3:45
YOU GO TO MY HEAD (Gillespie/Coots) 2:50
RE-MAKE/RE-MODEL (Bryan Ferry) 2:40
HEART ON MY SLEEVE (Gallagher/Lyle) 3:30


As Roxy approached its mid- to late-'70s hibernation, Ferry came up with another fine solo album, though one of his most curious. With Thompson and Wetton joined by U.K. journeyman guitarist Chris Spedding, Ferry recorded an effort that seemed as much of a bit of creative therapy as it was music for its own sake. On the one hand, he followed the initial formula established for his solo work, looking back to earlier rock, pop, and soul classics with gentle gusto. The title track itself, a cover of the fluke Wilbert Harrison '60s hit, scored Ferry a deserved British hit single, with great sax work from Chris Mercer and Mel Collins and a driving, full band performance. Ferry's delivery is one of his best, right down to the yelps, and the whole thing chugs with post-glam power. Other winners include the Everly Brothers' "The Price of Love" and the Beatles' "It's Only Love," delivered with lead keyboards from Ferry and a nice, full arrangement. On the other hand, half of the album consisted of Ferry originals "” but, bizarrely, instead of creating wholly new songs, he re-recorded a slew of earlier Roxy classics. Fanciful fun or exorcising of past demons? It's worth noting that most of the songs come from the Eno period of the band, and consequently the new versions stear clear of the sheer chaos he brought to the original Roxy lineup. As it is, the end results are still interesting treats "” "Casanova" exchanges the blasting stomp of the original for a slow, snaky delivery that suggests threat without sounding too worried about it. "Re-Make/Re-Model," meanwhile, turns downright funky without losing any of its weird lyrical edge. Others have subtler differences, as when the stark, stiff midsection of "Sea Breezes" becomes a looser, slow jam.

This beats any pussyass music you might be listening to

KOTITEOLLISUUS

http://plaza.fi/s/f/editor/images/kotiteollisuus_alasti.jpg

vvv.sendspace.com/file/41jfbq

It's their complation album Murheen Mailla, disc 2, which is my favorite. Download or die.

I mean, they make videos like this. If you can show me anything fucking cooler, well, i'll just ignore it.

I was emailing this to a friend, so I thought I would post it:

Dr. Dog - Easy Beat

hdrdogp://www.sendspace.com/file/lvebm2